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Showing posts with label history of graffiti. Show all posts
Showing posts with label history of graffiti. Show all posts

Saturday, 21 March 2015

History of Graffiti: Kilroy Was Here





Do you remember Kilroy? It is the first graffiti I remember.   Long ago in Morgantown, West Virginia, while walking with my mother, I saw Kilroy for the first time.  



Kilroy is mentioned in the Dictionary of American Slang,  Langensheidt © 1975, as a nonentity that originated with US troops in WW1.  I've not seen Kilroy mentioned in other print dictionaries nor online versions.  Oxford holds no entry, Larousse, none, the Winston Dictionary neither.  It's typical to ignore graffiti but The World is Our Canvas is a graffers moto and Kilroy Was Here proves it.  Kilroy is history.




There are several websites dedicated to the urban legend, Kilroy was here-- how it may have originated. That website hosts personal testimonies. Much evidence suggests Kilroy originated with US troops but one of the legends talks of ancient Irish Lore : “Kilroy, son of here”.  



Here is the poem by Peter Viereck:

Also Ulysses once--that other war
(Is it because we find his scrawl
Today on every privy door
That we forget his ancient role?)
Also was there--he did it for the wages--
When a Cathay-drunk Genoese set sail.
Whenever "longen folk to goon on pilgrimages,"
Kilroy is there;
he tells the Miller's Tale.
At times he seems a paranoiac king
Who stamps his crest on walls and says, "My own!"
But in the end he fades like a lost tune,
Tossed here and there, whom all the breezes sing.
"Kilroy was here"; these words sound wanly gay,
Haughty yet tired with long marching.
He is Orestes--guilty of what crime?--
For whom the Furies still are searching;
When they arrive they find their prey
(leaving his name to mock them) went away.
Sometimes he does not flee from them in time:
"Kilroy was--"
(with his blood a dying man
Wrote half the phrase out in Bataan.)
Kilroy, beware. "HOME" is the final trap
That lurks for you in many a wily shape:
In pipe-and-slippers plus a Loyal Hound
Or fooling around, just fooling around.
Kind to the old (their warm Penelope)
But fierce to boys,
thus "home" becomes the sea,
Horribly disguised, where you were always drowned,--
(How could suburban Crete condone
The yarns you would have V-mailed from the sun?)--
And folksy fishes sip Icarian tea.
One stab of hopeless wings imprinted your
Exultant Kilroy-signature
Upon sheer sky for all the world to stare:
"I was there! I was there! I was there!"
God is like Kilroy; He, too, sees it all;
That's how He knows of every sparrow's fall;
That's why we prayed each time the tightropes cracked
On which our loveliest clowns contrived their act
The G. I. Faustus who was everywhere
Strolled home again, "What was it like outside?"
Asked Can't, with his good neighbors Ought and But
And pale Perhaps and grave-eyed Better Not;
For "Kilroy" means: the world is very wide.
He was there, he was there, he was there!
And in the suburbs Can't sat down and cried.

The English version of the Wikipedia article Kilroy was here states that the graffito's origins are debatable.  It mentions the names Kilroy has throughout the world:  Chad, Some, Clem, Moita, Foo was here, Sapo.

The French version of the Wikipedia article Kilroy was Here suggest only that the graffito originated with the US troops in Normandy. There is a detailed list of uses in popular culture.  The French version states that during the conference of Potsdam, Stalin asked his assistant “Who is Kilroy?”  Noteworthy uses in popular culture for 'Kilroy Was Here' are: Isaac Asimov’s “The Message” (1955), Elia Kazan’s film A Street Car Named Desire (1951), and in the Manga Prophecy de Tetsuya Tsutsui.  See the article for a full list.


The Italian version of the Wikipedia article Kilroy Was Here also states that the origins are debatable.  The etymologyst David Wilton published an article stating that Chad, the English version and Kilroy the U.S. version fused during the war.  It doesn’t say which war.  The Italian version also reports that Stalin asked the famous question and that Hitler thought Kilroy was an American super-spy.  The Italian links to other mentions in popular culture that the French article doesn’t state.

The Straight Dope article about Kilroy is worth reading.  It mentions that the New York Times published an article about Kilroy in 1946. 

All of the articles say that the significance of the graffito, Kilroy, is not the illustration itself but its ubiquitous appearances. 
Edited 5 April, 2015

Tuesday, 9 December 2014

History of Graffiti: The origin of the word Graffiti

What is Graffiti?
 
Artemesia restauro, Firenze, Italia


After hours of researching the origin of graffiti, I found that according to the Global Brittanica, the word graffiti derives from the Italian word sgraffito.

Because I speak Italian I know that the Global Brittanica gives a bad translation and because I am an artist I know their examples, in part, are lame.  Whoever wrote the definition says that in panel painting and illuminated manuscripts the ground was gold leaf.  That is not true.  For panel painting the ground was, and still is bolo.  I'm not sure about illuminated manuscripts but in both cases, sgraffito technique is not involved.  The Global Brittanica states that graffito technique was especially used during the middle ages but if you go to Florence or Venice you know that those buildings were decorated during the Renaissance.  That's a couple hundred years difference.

So what is Graffiti?

Here is a better definition:

According to the online Italian dictionary Treccani, graffito is a type of decoration used in architecture.  The graffer (my word from the commonly used French word graffeur) inscribes the wet stucco of a façade to reveal an under-layer.  The technique was (yes) used on medieval palaces but mostly done between 1400 and 1500.  In the 1700s there was a revival.  Following a design, the graffer removed the top layer of stucco and a exposed the colored underlayer.

Check out Artemesia Restauro's website. This image shows her doing a graffito.
Artemesia Restauro, Florence

Graffito.

Got it?


Treccani states:
Graffito is done through using a point to incise a surface - stone, metal, plaster, a wall, a vase, you name it.
  • It is a drawing or inscription on a surface or object, more often a wall.  In prehistoric times, documents were incised on rocks and clay tablets.  It seems banking records were incised on stone, thus the colloquial saying: written in stone. 
    Cuniform, courtesy of Iranicaonline
     Paleolithc caves,  catacombs, and  walls  are witness to graffiti.
In Mesopotamia over 5000 years ago scribes recorded information in stone. Saki Mafundikwa gives a wonderful TED talk about ancient African writing.
photo courtesy of mesopotamio.co.uk

In Pompei, Italy, phallus where commonly exposed outside a house to signify, Hic habitat felicitas  happiness lives here.
foto courtesy of Giovannidellorto
See, you did not invent this dick painting.  Some anonymous artist over 2000 years ago wrote it in stone.

Modern day graffiti seems to have all started in the toilet. Here is an excellent article on the Hiphop-Network:

Looking at the Writing on the Wall: A Critical Review and Taxonomy of Graffiti Texts © copyright 1995 Jane M. Gadsby

According to Gadsby's extensive bilbiography, over sixty years ago men and women  wrote on  bathroom walls.  Could this be the beginning of what we consider graffiti in modern times? She writes that "The 1970s were halcyon days of graffiti research".    

She writes that there are nine different approaches in graffiti writing. "As expected, each researcher chooses the approach which lends itself to fulfilling his/her needs. This has led to a wide array of approaches: cultural, gendered, linguistic, folkloric, quantitative, aesthetic, motivational, preventative and popularisation  

The Treccani dicitonary states that by analogy, graffiti as we know it today, started in NYC in the 1970's.  It states also that the film American Graffiti by G. Lucas in 1973, seems to have ignited the explosion.  Treccani's definition states that the film refers to the documentary value of prehistoric graffiti, a sign of the past.  And it was a revival of taste, fashion, clothing, music of the 1950's.



What is the definition of graffiti today?

Harvard University hosted a reception for the calligraffiti artist el Seed

Listen to what eL Seed says in this video: